The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his feet on the ground. He could well be humiliated to parade his goodness. He works by using ingenuity as opposed to divinity. Chaplin’s untidy like daily life implies he felt he deserved whomever he desired; Keaton in private lifestyle appears to have already been melancholic as a consequence of alcoholism, but a

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